Easy Paint Making Tips
Grind your own colours – with pigments and binders from Schmincke
Many artists, even today, grind their own colours in their studios, just like the old masters, using a glass muller and a slightly roughened glass plate. Moreover, it is sometimes useful to add more binder to finished paints for certain painting techniques. Schmincke offers a wide range of ready-to-use binders for all applications and numerous possibilities for the individual production of watercolour, gouache, linoprint, acrylic, oil, and tempera colours.
Simple paint making is easy. We recommend making small batches to start. Create just enough paint to be used right away. Are you seeking to store your handmade paint in tubes to use later? Then the process is a little more involved. The dry pigments must be thoroughly worked into the medium. Every pigment particle must be thoroughly coated and integrated into the binder. If not, then the dry pigment will settle out and harden in the container. Settled pigment will separate from the binder. The resulting paint may dry in a brittle or delicate film that may crack in time. Continue reading to learn more about using a glass muller.
ATTENTION: For all artist paints you have mixed yourself, it is important to do your own pre-test with the painting technique you intend to use. We recommend keeping careful notes on each of your paint batches.
Here are the steps for making your own paint.
Schmincke Binding Medium of your choice
Flexible metal spatula or palette knife
Glass surface – recycled glass, even an old mirror.
Water (or solvent if you are using the Oil Binder)
Empty paint tubes for storing paint
The video below represents an over-simplified process but it really is this easy, thanks to the new Ready-to-Use Binders from Schmincke
Here is a recycled paint-making technique demonstrated by Shelly Banks. Watch the video to see the process of using a muller. Glass mullers are very useful for the proper process called milling the pigment. The exact ratios and length of time spent milling will depend on the pigment and your own perfectionism. In fact, ratios and processes are carefully guarded by every paint manufacturer. You will see that very little medium to pigment ratio is required.
“Hi oil painters! Have you ever wondered what to do with that sludge that collects in the bottom of your container of solvent. Well it is just pigment and solvent. If you let the solvent evaporate then you can reclaim the pigment, mix it with an oil binder, and make your own paint. Artist Shelly Banks reclaims the precious pigments that settle into the bottom of her Gamsol Solvent!”