Originally made with Buckthorn berries native to the near east, but cultivated in Europe since Roman times. The ripe berries make a pink dye, while the unripe berries produce a yellow juice or sap used as a dye and to make a yellow Sap Green pigment. Our blend is a more lightfast version of this […]
Phthalocyanine is among the strongest tinting pigments available, this green is semi-opaque, with a warmer yellow-green undertone. Pigment Classification: OrganometallicColor Index Name: PG 36Color Index Number: 74265Chemical Description: Brominated & Chlorinated Copper PhthalocyanineOpacity/Transparency: TransparentLightfastness Rating: IPermanency: ExcellentMunsell Notation Listing: Hue 8.9 G Value 2.8 Chroma 3.5Gloss Average: 88.6Viscosity Range: 4000-15000 CPSCIE L*a*b* Values: L*29.24 a*-17.87 b*3.48Tint Strength: 85.13
The reddish variation on this very powerful tinting versatile blue. When used thickly it is dark and opaque, but phthalo makes beautiful transparent glazes. Pigment Classification: OrganometallicColor Index Name: PB 15:1Color Index Number: 74160Chemical Description: Copper PhthalocyanineOpacity/Transparency: TransparentLightfastness Rating: IPermanency: ExcellentMunsell Notation Listing: Hue 9.5PB Value 2.4 Chroma 3.8Gloss Average: 70Viscosity Range: 4000-15000 CPSCIE L*a*b* Values: L*24.2 a*5.77 b*-13.98Tint Strength: 74.66
A mixture of Phthalo Blue and Green with Titanium White for a strong tinting, opaque, Teal. Pigment Classification: MixtureColor Index Name: PW6 / PB15:3 / PG7Color Index Number: 77891 / 74160 / 74260Chemical Description: Titanium Dioxide Rutile Copper Phthalocyanine Chlorinated Copper PhthalocyanineOpacity/Transparency: OpaqueLightfastness Rating: IPermanency: ExcellentMunsell Notation Listing: Hue 9.3BG Value 5.9 Chroma 9.4Gloss Average: 83.7Viscosity Range: 20000-24000 CPSCIE L*a*b* Values: L*62.40 a*-45.25 b*-13.35Tint Strength: 86.24
Some times referred to as “mixing white” Zinc White provides a more transparent white option for mixing and glazing. Pigment Classification: Synthetic InorganicColor Index Name: PW 4Color Index Number: 77947Chemical Description: Zinc OxideOpacity/Transparency: TransparentLightfastness Rating: IPermanency: ExcellentMunsell Notation Listing: Hue 0.2 GY Value 9.4 Chroma 0.3Gloss Average: 56.6Viscosity Range: 4000-15000 CPSCIE L*a*b* Values: L*94.19 a*-0.66 b*2.01Tint Strength: 25.67
Bright and lightfast, fairly transparent yellow. (Series 3) Pigment Classification: Synthetic OrganicColor Index Name: PY154Color Index Number: 11781Chemical Description: Benzimidazolone Yellow H3GOpacity/Transparency: Semi-transparentLightfastness Rating: I – ExcellentPermanency: ExcellentMunsell Notation Listing: Hue 2.6 Y Value 8.1 Chroma 14Gloss Average: N/AViscosity Range: N/ACIE L*a*b* Values: L*80.04 a*15.76 b*93.13Tint Strength: N/A
Golden OPEN Benzimidazalone Yellow Light Golden OPEN Slow Dry Acrylics Benzimidazalone Yellow Light. A very bright and lightfast yellow that replaces Hansa Yellow Light. (Series 3) Details: Pigment Classification: Synthetic OrganicColor Index Name: PY175Color Index Number: 11784Chemical Description: Benzimidazolone Yellow H6GOpacity/Transparency: TransparentLightfastness Rating: I – ExcellentPermanency: ExcellentMunsell Notation Listing: Hue 5.0 Y Value 8.4 Chroma 13Gloss Average: N/AViscosity Range: N/ACIE L*a*b* Values: L*83.43 a*4.73 b*91.99Tint Strength: N/A
Golden OPEN Medium Gloss Golden OPEN Mediums help maximize working time of OPEN Acrylics and can be used to adjust color strength and translucency while maintaining consistency. OPEN Acrylic Medium will lower paint viscosity to create a more fluid mixture and increase flow. OPEN fluid mediums are also useful for lowering the viscosity of Heavy Body colors and […]
Golden OPEN Acrylic Gel 8oz Golden OPEN Acrylic Gel (Gloss/Matte) is used to extend Golden OPEN Slow-Drying Acrylics while maintaining their working properties. They can also be used to slow down fast-drying acrylic colors as a blending or glazing medium.
Golden OPEN Thinner Golden OPEN Thinner is a water-based additive for thinning the consistency of OPEN Acrylic Colors and Mediums without altering drying time. It also maintains and adjusts the workability of OPEN colors on palettes, and can be used as a thin-bodied retarder with Heavy Body or Fluid Acrylic colors. Because OPEN Thinner contains no binders, it […]
