Akua Gel Printing 7pc Kit #8021


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Akua Gel Printing Kit #8021

Akua Gel Printing Kit: Bringing Speedball’s Gel Printing Plate to life with the Akua line of professional printmaking inks. This set features everything that’s needed to add a new dimension to your gel printing projects. From scrapbooking to fine art, and everywhere in between!

The Akua Gel Printing Kit contains: (1) 5″x5″ Speedball Gel Printing Plate; (3) 2oz Akua Intaglio® Inks (Hansa Yellow, Ultramarine Blue, Quinacridone Magenta) and (1) 1oz Akua Liquid Pigment Ink (Jet Black), (1) 1oz Akua Blending Medium, (1) 4″ Pop-In™ Soft Rubber Brayer; (1) Instructional Reference Guide.

Akua Gel Printing Kit #8021

More About Akua

Water-based Ink for Intaglio & Relief: Akua Intaglio Inks are a printmaker’s dream come true. Originally formulated for intaglio printmaking, you can also apply this ink with a brayer for relief printmaking and monotype, as well as collagraphs. Additionally, it will print from any plastic, wood, linoleum or metal plate. These inks contain no driers, offering a long working time for monotype or wiping the plate.


Made with Soy and Light fast Pigments
Akua Intaglio is a soy based ink made with the same high quality lightfast pigments as Akua Liquid Pigment. It has a thick consistency with minimal water content.

Clean up with soap and water
Akua Intaglio ink cleans up easily with a dry rag, followed by soap and water. You can even use inexpensive liquid dish detergent. Never use toxic solvents again!

You can re-soak Akua prints immediately after printing, if handled carefully. Once the print is dry, Akua Intaglio is permanent.

Never Skins or Hardens in the Jar
Akua Ink will neither skin over, nor harden in the jar or on the ink slab, so no ink is wasted.

Easy to Use
Wiping the plate with Akua Intaglio is easier than wiping oil-based ink. For best results, use this Akua Wiping Fabric.

Excellent Results
Wipes nice and clean while the paper picks up the ink efficiently.

Option To Print on Damp or Dry Paper
Print on dry or damp paper. Plates with greater tonal value, deeply bitten or raised surfaces require dampened paper. However, it may not be necessary to dampen paper for shallow bitten plates with high contrast images. Monotypes print best on dry smooth paper.

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